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the pictures, I never see myself; they arent self-portraits. As the organizer of the hashtag noted, People getting to relate to each other george mason college paper crime and see each other coming to these topics in an honest, personal way is much more eye-opening than a conversation conducted entirely academically. In Nigeria, the Gunman Pose became one of the first globally-recognized Instagram memes in Sub-Saharan Africa. From ONE artist TO many, the mass impact of arts engagement of social media can perhaps best be seen in the variety of Gangnam Style remixes generated from the art community in response to Ai Weiweis detention. Self-representation through social media is somewhat of a recent phenomenon. The vernacular of selfies intersects with a history of critically-employed self-portraiture in art, particularly resonant in contemporary feminist practices. He received his.S.,.S., and. While internet-based art has traditionally experimented with and tested the boundaries of digital space, social media art today operates amidst a proliferation of mobile devices. Memes have demonstrated considerable political traction, having risen up in reaction to Ai Weiweis increased oppression by the Chinese government in 2011 and a major train crash in southern China. It is perhaps more useful to consider the selfiein its broad socio-technological ecology and within the expanded field of imagesas a communicative act intended to convey emotion, share an idea, tell a story or even inspire others to a particular form of action or engagement.
Part of a series commissioned by Creative Time, Creative Time Tweets, 24hPort created a layered field of social media interactions while Bartlett enacted the piece in the physical, public, often rather isolating space of transit beneath the city. Continuing in this tradition, Like: A boffo Instagram Project supports the exploration of Instagram as a social media art platform through a robust commissioning series. Selfies have also had remarkable impacts on civic engagement and human rights advocacy. The launch of these commissioned artistic projects on Instagram is intended to challenge users to engage with critical art amidst the rest of their feeds, and to challenge infrequent or non-users of social media to sign on and consider the possibilities of an art that. Matienzo is the Collaboration and Interoperability Architect in Digital Library Systems and Services at the Stanford University Libraries, serving as a technologist, advocate, and facilitator for cross-institutional projects. As such, physical and digital spaces are increasingly in dialogue with each other, their boundaries increasingly blurred.
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